{"id":7816,"global_id":"schwerereiter.de?id=7816","global_id_lineage":["schwerereiter.de?id=7816"],"author":"4","status":"publish","date":"2026-02-03 13:42:40","date_utc":"2026-02-03 12:42:40","modified":"2026-04-21 13:34:22","modified_utc":"2026-04-21 11:34:22","url":"https:\/\/schwerereiter.de\/?tribe_events=in-schwarz-und-weiss-zu-4-haenden-an-2-klavieren-2","rest_url":"https:\/\/schwerereiter.de\/index.php?rest_route=\/tribe\/events\/v1\/events\/7816","title":"In Schwarz und Wei\u00df \u2013 zu 4 H\u00e4nden an 2 Klavieren: Klavierduo Neeb \u2013 Okuda u. Kaufmann","description":"

[et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597″ custom_margin=“||-30px||false|false“ global_colors_info=“{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}“][et_pb_row column_structure=“3_5,2_5″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ custom_margin=“||0px||false|false“ custom_padding=“20px|15px|20px|15px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“3_5″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_heading title=“DO 23.04. | 20:00 | musik “ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_text_align=“left“ title_font_size=“19px“ custom_margin=“||24px||false|false“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“In Schwarz und Wei\u00df“ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size=“38px“ custom_margin=“0px||||false|false“ title_font_size_tablet=“38px“ title_font_size_phone=“29px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“zu 4 H\u00e4nden an 2 Klavieren“ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size=“82px“ width=“76%“ custom_margin=“-17px|87px|||false|false“ custom_padding=“||0px||false|false“ title_text_color_tablet=““ title_text_color_phone=““ title_text_color_last_edited=“on|phone“ title_font_size_tablet=““ title_font_size_phone=“48px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“Sophie Neeb und Vincent Neeb“ _builder_version=“4.27.4″ _module_preset=“default“ title_level=“h2″ title_font=“Bebas Neue||||||||“ width=“76%“ custom_margin=“-17px|87px|||false|false“ custom_padding=“||0px||false|false“ title_text_color_tablet=““ title_text_color_phone=““ title_text_color_last_edited=“on|phone“ title_font_size_tablet=““ title_font_size_phone=“48px“ title_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“Rieko Okuda und Achim Kaufmann“ _builder_version=“4.27.4″ _module_preset=“default“ title_level=“h2″ title_font=“Bebas Neue||||||||“ width=“76%“ custom_margin=“-17px|87px|||false|false“ custom_padding=“||0px||false|false“ title_text_color_tablet=““ title_text_color_phone=““ title_text_color_last_edited=“on|phone“ title_font_size_tablet=““ title_font_size_phone=“48px“ title_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“][\/et_pb_heading][\/et_pb_column][et_pb_column type=“2_5″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_button button_url=“https:\/\/rausgegangen.de\/events\/in-schwarz-und-wei-zu-4-handen-an-2-klavieren-1\/“ url_new_window=“on“ button_text=“Tickets kaufen“ button_alignment=“right“ _builder_version=“4.27.4″ _module_preset=“default“ custom_button=“on“ button_text_size=“20px“ button_text_color=“#222222″ button_border_width=“9px“ button_border_color=“#EDF000″ button_border_radius=“11px“ button_letter_spacing=“0px“ button_font=“Bebas Neue|||on|||||“ custom_margin=“0px|0px|||false|false“ custom_margin_tablet=“-15px||||false|false“ custom_margin_phone=“-15px||19px||false|false“ custom_margin_last_edited=“off|desktop“ custom_padding=“12px|24px|12px|24px|false|false“ button_text_size_tablet=“20px“ button_text_size_phone=“16px“ button_text_size_last_edited=“on|phone“ box_shadow_style=“preset3″ global_colors_info=“{}“][\/et_pb_button][et_pb_toggle title=“Ticketpreise anzeigen“ _builder_version=“4.27.4″ _module_preset=“default“ body_font_size=“11px“ max_width=“49%“ max_width_phone=“53%“ custom_margin=“-10px|0px|||false|false“ closed_title_font_size_tablet=““ closed_title_font_size_phone=“12px“ closed_title_font_size_last_edited=“on|phone“ body_font_size_tablet=““ body_font_size_phone=““ body_font_size_last_edited=“on|phone“ global_colors_info=“{%22gcid-heading-color%22:%91%22open_icon_color%22%93}“]<\/p>\n

Tickets:<\/strong> 24\u20ac \/ 16\u20ac (2 Tage-Ticket: 40\u20ac \/ 28\u20ac)<\/p>\n

\n

Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)<\/p>\n

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Dieses au\u00dfergew\u00f6hnliche Konzertformat stellt an zwei Abenden je ein Klavierduo aus der notierten einem Klavierduo aus der improvisierten zeitgen\u00f6ssischen Musik gegen\u00fcber.\u00a0Jedes Duo spielt einen einst\u00fcndigen Konzertteil.<\/p>\n

Zwei Pers\u00f6nlichkeiten am gleichen Instrument gehen in einen direkten musikalischen Austausch, jedoch auf ganz unterschiedliche Weise: Das Klavierduo der Neuen Musik widmet sich eingehend der Interpretation notierten Materials. Hier spielen die Betonung, die Agogik, die Verst\u00e4ndigung \u00fcber die Herangehensweise bestimmter Stellen, das Tempo usw. eine besondere Rolle. Das Klavierduo aus der improvisierten Musik genie\u00dft h\u00f6here Freiheitsgrade, die allerdings auch mit gr\u00f6\u00dferen Risiken einhergehen. Die Verst\u00e4ndigung findet ad hoc statt, die Entwicklung ist nicht vorhersehbar, die Entscheidungen werden aus dem Augenblick heraus getroffen.<\/p>\n

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Teil 1 | 20:00:<\/strong><\/span><\/span><\/h5>\n

Dialoge \u00fcber die Zeiten hinweg | <\/strong><\/span>Sophie Neeb und Vincent Neeb (Klavier)<\/strong>
<\/span><\/h4>\n

\u201eAus<\/span> dem Strom der musikalischen Zeit tauchen Erinnerungen an Zuk\u00fcnftiges und Ahnungen an Vergangenes auf: das scheinbar Gegens\u00e4tzliche enth\u00fcllt seine innerste Verwandtschaft.\u201c<\/span><\/p>\n

Diese Vision verwirklichte Bernd Alois Zimmermann in seinen \u201eMonologen\u201c<\/em>\u2013 einem Werk, dem sich das Klavierduo Neeb besonders verbunden f\u00fchlt und das im Mittelpunkt seines Deb\u00fct-Albums d\u00e9j\u00e0-r\u00eav\u00e9 <\/em>steht. Nun nehmen die Geschwister die Zitat-Collagen der Monologe <\/em>als Ausgangspunkt, um verschiedene Facetten des musikalischen Zitierens und die Beziehung der \u201eneuen\u201c zur \u00e4lteren Musik zu beleuchten: Steven Heelein reflektiert in Fragment <\/em>einen unvollendeten Sonatensatz von Mozart, w\u00e4hrend Johannes X. Schachtners Pacifico <\/em>\u00fcber Schuberts Lied Meeres Stille <\/em>meditiert. Aber auch schon Maurice Ravels La valse, <\/em>das die Geister des Wiener Walzers beschw\u00f6rt, steht in einem spannungsvollen Verh\u00e4ltnis zur Tradition.<\/p>\n

Wolfgang Amadeus Mozart: Larghetto-Allegro Es-Dur (Fragment, 1781)<\/p>\n

Steven Heelein: Fragment (Nachgedanken zu Mozart, 2020)<\/p>\n

Johann Sebastian Bach\/ Gy\u00f6rgy Kurt\u00e1g: Das alte Jahr vergangen ist BWV 614<\/p>\n

Gy\u00f6rgy Kurt\u00e1g: Harangok (Glocken), aus: J\u00e1t\u00e9kok IV<\/p>\n

Johann Sebastian Bach\/ Gy\u00f6rgy Kurt\u00e1g: Herr Christ, der ein’ge Gottes Sohn BWV 601<\/p>\n

Gy\u00f6rgy Kurt\u00e1g: D\u00fch\u00f6s kor\u00e1l (Zorniger Choral), aus: J\u00e1t\u00e9kok IV<\/p>\n

Johann Sebastian Bach\/ Gy\u00f6rgy Kurt\u00e1g: Aus tiefer Not schrei ich zu dir BWV 687<\/p>\n

Gy\u00f6rgy Kurt\u00e1g: K\u00f6d-kan\u00f3n (Nebelkanon), aus: J\u00e1t\u00e9kok IV<\/p>\n

Johannes X. Schachtner: Pacifico. Hymnus f\u00fcr Klavier vierh\u00e4ndig (2014)<\/p>\n

Bernd Alois Zimmermann: Monologe (1964)<\/p>\n

 <\/p>\n

Teil 2 | 21:20<\/span>
<\/strong><\/h4>\n

Mirror \u2013 Contrast | Rieko Okuda und Achim Kaufmann (Klavier)<\/strong><\/h4>\n

Das Duo widmet sich der Idee des Spiegelbildes und der Dopplung im Spannungsfeld zu kontrastierenden Kl\u00e4ngen. Die Kombination extremer Register lassen orchestrale Wirkungen entstehen, die ein\/e Pianist:in allein nicht erzeugen kann. Ihre Musik entsteht im Moment. Ger\u00e4uschhaftes im Innenbereich des Fl\u00fcgels und tonh\u00f6henbewusstes Spiel auf den Tasten lassen neue Kl\u00e4nge entstehen, die nicht an herk\u00f6mmliche Klavierkl\u00e4nge denken lassen. <\/span><\/p>\n

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Sophie Neeb und Vincent Neeb \u00a9 Foto: schneiderphotography<\/p>\n

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Rieko Okuda und Achim Kaufmann\u00a0 \u00a9 Foto: Christina Marx<\/p>\n

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Kulturreferat der Landeshaupstadt M\u00fcnchen,\u00a0 Musikfonds e.V. mit Mitteln des Beauftragten der Bundesregierung f\u00fcr Kultur und Medien<\/span><\/p>\n

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