[et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597″ custom_margin=“||-30px||false|false“ global_colors_info=“{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}“][et_pb_row column_structure=“3_4,1_4″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ min_height=“308.4px“ custom_margin=“||-40px||false|false“ custom_padding=“20px|15px|57px|15px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“3_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_heading title=“SA 28.11. | 18:30| tanz“ _builder_version=“4.27.7″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_text_align=“left“ title_font_size=“19px“ custom_margin=“||40px||false|false“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“Isabella Oberl\u00e4nder“ url=“https:\/\/rausgegangen.de\/events\/duo-bordenave-popp-100-jahre-coltrane-interstellar-space-0\/“ _builder_version=“4.27.7″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size=“38px“ custom_margin=“0px||0px||false|false“ title_font_size_tablet=“38px“ title_font_size_phone=“29px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“Bodies of Water“ _builder_version=“4.27.7″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size=“90px“ custom_margin=“0px||||false|false“ custom_padding=“||0px||false|false“ title_text_color_tablet=““ title_text_color_phone=““ title_text_color_last_edited=“on|phone“ title_font_size_tablet=““ title_font_size_phone=“48px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][\/et_pb_column][et_pb_column type=“1_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_button button_url=“https:\/\/rausgegangen.de\/events\/isabella-oberlander-bodies-of-water-0\/“ url_new_window=“on“ button_text=“Tickets kaufen“ button_alignment=“center“ _builder_version=“4.27.7″ _module_preset=“default“ custom_button=“on“ button_text_size=“18px“ button_text_color=“#222222″ button_border_width=“10px“ button_border_color=“#EDF000″ button_border_radius=“11px“ button_letter_spacing=“0px“ button_font=“Bebas Neue|||on|||||“ custom_margin=“0px|0px|||false|false“ custom_margin_tablet=“-15px||||false|false“ custom_margin_phone=“-15px||19px||false|false“ custom_margin_last_edited=“off|desktop“ custom_padding=“12px|24px|12px|24px|false|false“ button_text_size_tablet=“20px“ button_text_size_phone=“16px“ button_text_size_last_edited=“on|phone“ box_shadow_style=“preset3″ global_colors_info=“{}“][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597″ custom_padding=“||55px|||“ global_colors_info=“{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}“][et_pb_row _builder_version=“4.27.7″ _module_preset=“default“ background_color=“#FFFFFF“ custom_margin=“0px|auto|20px|auto|false|false“ custom_padding=“|5px||5px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/schwerereiter.de\/wp-content\/uploads\/2026\/10\/Isabella-Oberlaender.jpeg“ title_text=“Isabella Oberl\u00e4nder“ _builder_version=“4.27.7″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.27.7″ _module_preset=“default“ text_text_color=“gcid-primary-color“ text_font_size=“17px“ custom_padding=“|5px||5px|false|false“ global_colors_info=“{%22gcid-primary-color%22:%91%22text_text_color%22%93}“]<\/p>\n
Wie kann die Handlungsf\u00e4higkeit des Tanzes im Zusammenhang mit den zunehmenden Komplexit\u00e4ten unseres 21. Jahrhunderts erweitert werden \u2013 etwa in Bezug auf \u00d6kologie, Gleichheit und globale Vernetzung? Dies ist eine Frage, welche Isabella Oberl\u00e4nder in der eigenen k\u00fcnstlerischen Praxiskontinuierlich besch\u00e4ftigt. Besonders interessiert Oberl\u00e4nder hier der Hydrofeminismus, also die Verbundenheit zwischen Menschen und anderen Lebewesen durch Wasser. Es flie\u00dft durch K\u00f6rper, Lebewesen und Materialien und verbindet sie. W\u00e4hrend dieses Wasserkreislaufs nehmen wir Spuren auf oder hinterlassen sie, die oft f\u00fcr uns selbst unsichtbar sind, zum Beispiel wenn wir einen Schluck Wasser trinken. Wie k\u00f6nnen wir eine queere feministische Quelle erschaffen? Wie k\u00f6nnte sie aussehen? (…) Wie k\u00f6nnen wir als K\u00fcnstler*innen Einladungen aussprechen, R\u00e4ume halten und Strukturen schaffen, die Solidarit\u00e4t und Hinterfragen f\u00f6rdern \u2013 sowohl mit unseren Kollaborator*innen als auch mit dem Publikum?<\/p>\n
Veranstaltung im Rahmen von side.kicks<\/p>\n
Seit 2013 pr\u00e4sentiert side.kicks<\/strong> im schwere reiter Arbeiten von Choreograf*innen aus den nationalen und internationalen Netzwerken der Tanztendenz.\u00a0<\/span>Das Format ist kein klassisches Gastspielprogramm, sondern meist Ergebnis eines intensiven langj\u00e4hrigen k\u00fcnstlerischen Austauschs. Eingeladen werden Produktionen und K\u00fcnstler*innen, die bereits \u00fcber institutionelle Partnerschaften, fr\u00fchere Residenzen oder gemeinsame Arbeitsprozesse mit der Tanztendenz verbunden sind. side.kicks ist bewusst schlank und flexibel konzipiert, um Diversit\u00e4t auf vielen Ebenen zu erm\u00f6glichen. Es gilt, die Sichtbarkeit vielf\u00e4ltiger k\u00fcnstlerischer Handschriften, Organisationsformen, Finanzierungsmodelle, Anliegen und Strategien zu wahren, beispielhaft zu pr\u00e4sentieren und Anregung zu geben.\u00a0 <\/span>Ein weiterer Bestandteil von side.kicks ist eine diskursive Reihe \u00fcber aktuelle kulturpolitische Themen.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.27.7″ _module_preset=“default“ custom_margin=“-20px||0px||false|false“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_accordion _builder_version=“4.27.7″ _module_preset=“default“ closed_toggle_font=“Bebas Neue|||||on|||“ closed_toggle_font_size=“30px“ body_font=“IBM Plex Sans||||||||“ body_text_color=“#222222″ body_font_size=“17px“ min_height=“233.7px“ custom_margin=“0px||0px||false|false“ border_width_all=“0px“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_accordion_item title=“Mitwirkende“ open=“on“ _builder_version=“4.27.7″ _module_preset=“default“ body_font_size_tablet=““ body_font_size_phone=“15px“ body_font_size_last_edited=“on|phone“ global_colors_info=“{}“ toggle_font=“Bebas Neue|||on|||||“ toggle_font_size=“30px“ toggle_font_size_tablet=“30px“ toggle_font_size_phone=“25px“ toggle_font_size_last_edited=“on|phone“]<\/p>\n Choreografie\/ Konzept\/ Performance: Isabella Oberl\u00e4nder<\/p>\n 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