{"id":7456,"date":"2026-01-27T16:50:10","date_gmt":"2026-01-27T15:50:10","guid":{"rendered":"https:\/\/schwerereiter.de\/?post_type=tribe_events&p=7456"},"modified":"2026-01-29T08:34:39","modified_gmt":"2026-01-29T07:34:39","slug":"der-gelbe-klang-carte-jaune-enno-poppe","status":"publish","type":"tribe_events","link":"https:\/\/schwerereiter.de\/?tribe_events=der-gelbe-klang-carte-jaune-enno-poppe","title":{"rendered":"der\/gelbe\/klang: carte jaune! Enno Poppe"},"content":{"rendered":"

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Ein Abend, der das Ohr sch\u00e4rft, das Denken anregt\u00a0 und neue Klangr\u00e4ume er\u00f6ffnet – kuratiert von Dirigent und Komponist Enno Poppe.<\/p>\n

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Tickets:<\/strong> 20\u20ac \/ 14\u20ac<\/p>\n

\n

Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)<\/p>\n

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\u00a9 Foto: Harald Hoffmann<\/p>\n

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Im Rahmen des Formats \u00bbcarte jaune!\u00ab \u00fcbergibt der\/gelbe\/klang regelm\u00e4\u00dfig das musikalische Steuer \u2013 und l\u00e4dt herausragende K\u00fcnstler*innen ein, ein Programm f\u00fcr die Stammbesetzung zu kuratieren. Der Gedanke dahinter ist einfach: k\u00fcnstlerische Freiheit, neue Perspektiven und ein frischer Blick auf das Ensemble und sein klangliches Potenzial.<\/p>\n

Mit Enno Poppe begr\u00fc\u00dft das Ensemble einen der pr\u00e4gendsten K\u00f6pfe der zeitgen\u00f6ssischen Musikszene. Als Komponist wie auch als Dirigent hat Poppe das Musikleben der letzten zwei Jahrzehnte ma\u00dfgeblich mitgestaltet. Seine Werke zeichnen sich durch klangliche Raffinesse, strukturelle Neugier und eine au\u00dfergew\u00f6hnliche Sensibilit\u00e4t f\u00fcr instrumentale Mikrogesten aus.<\/p>\n

F\u00fcr \u00bbcarte jaune!\u00ab hat Enno Poppe ein Programm entworfen, das sowohl seine pers\u00f6nliche Handschrift als auch seine \u00e4sthetische Offenheit widerspiegelt. Im Zentrum steht sein eigenes Werk Laub \u2013 eine vielschichtige, atmende Klangskulptur, in der sich klangliche Verzweigungen und Verwerfungen wie organisch ausbreiten.
Dem gegen\u00fcber stehen zwei au\u00dfergew\u00f6hnliche Positionen der aktuellen Musik: early life von Hector Parra ist ein St\u00fcck, das sich mit der Entstehung von Leben besch\u00e4ftigt \u2013 biologisch, philosophisch, musikalisch. Parras Tonsprache ist zugleich expressiv und fein ziseliert, voller Energie und dynamischer Wandlungen.
Die irische Komponistin Ann Cleare pr\u00e4sentiert mit luna\/lithe\/laire ein Werk, das zwischen Licht und Schatten, Klarheit und Verschwinden oszilliert. Ihre Musik lotet die R\u00e4nder des H\u00f6rbaren aus \u2013 mit einer poetischen Intensit\u00e4t, die sich jeder einfachen Kategorisierung entzieht. Ein Abend, der das Ohr sch\u00e4rft, das Denken anregt \u2013 und neue Klangr\u00e4ume er\u00f6ffnet.<\/p>\n

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H\u00e9ctor Parra: early life (2010), f\u00fcr Oboe, Klavier, Violine, Viola und Violoncello<\/span>
Ann Cleare: luna\/lithe\/lair (2014\/2019) f\u00fcr Nonett<\/span>
Enno Poppe: Laub (2023), f\u00fcr Fl\u00f6te, Oboe, Klarinette, Klavier, Violine, Viola und Violoncello<\/span><\/p>\n

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der\/gelbe\/klang: Zinajda Kodri\u010d (Fl\u00f6te), Claire Sirjacobs (Oboe ), Oliver Klenk (Klarinette), Koryun Asatryan (Saxophon), Marco Riccelli (Klavier), Mathias Lachenmayr (Schlagzeug), Nina Takai (Violine), Laura Hovestadt (Viola), Katerina Giannitsioti (Violoncello)<\/span><\/p>\n

Enno Poppe, Dirigent<\/span><\/p>\n

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Kulturreferat der Landeshauptstadt M\u00fcnchen, Bayerisches Staatsministerium f\u00fcr Wissenschaft und Kunst<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Ein Abend, der das Ohr sch\u00e4rft, das Denken anregt\u00a0 und neue Klangr\u00e4ume er\u00f6ffnet – kuratiert von Dirigent und Komponist Enno Poppe.Tickets: 20\u20ac \/ 14\u20ac Wer erh\u00e4lt Erm\u00e4\u00dfigungen? Sch\u00fcler*innen, Student*innen, Senior*innen […]<\/p>\n","protected":false},"author":4,"featured_media":7563,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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Ein Mix aus elektronisch-urbane Kl\u00e4ngen und gesanglich-melodi\u00f6sen Phrasen.<\/p>

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Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)
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\u00a9 Foto: Ditz Fejer<\/p>

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Die Musik von Manuel Eberle und Raphael Weilguni ist spontan und spricht direkt.<\/p>

Die Instrumente sind ihre Stimmen, sie begegnen sich in musikalischem Zwiegespr\u00e4ch und finden in der Gleichzeitigkeit der Kl\u00e4nge und Momenten der Stille zueinander. In drei Teilen verweben sie elektronisch-urbane Kl\u00e4nge mit gesanglich-melodi\u00f6sen Phrasen. Sie kreieren simultan eine gemeinsame Klangskulptur. Das improvisierte Material pendelt zwischen harmonischen und atonalen Polen, im gegenseitigen Zuh\u00f6ren und Folgen kristallisieren sich eigene Skalen heraus. Freie chaotische Energie formt sich zu liebevoll Melodi\u00f6sem, spielerischer Leichtigkeit, charmantem Witz, und landet in einem Choral. In ihrem R\u00e4sonieren vergessen die Zuh\u00f6renden die Zeit.<\/p>

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Manuel Eberle (Trompete, drum machine), Raphael Weilguni (Klavier, Synthesizer)<\/p>

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Kulturreferat der Landshauptstadt M\u00fcnchen<\/p>

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