{"id":7500,"date":"2026-01-27T16:27:50","date_gmt":"2026-01-27T15:27:50","guid":{"rendered":"https:\/\/schwerereiter.de\/?post_type=tribe_events&p=7500"},"modified":"2026-01-29T08:15:38","modified_gmt":"2026-01-29T07:15:38","slug":"paula-rosolen-noice-noise","status":"publish","type":"tribe_events","link":"https:\/\/schwerereiter.de\/?tribe_events=paula-rosolen-noice-noise","title":{"rendered":"Paula Rosolen: NOICE\/NOISE"},"content":{"rendered":"

[et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597″ custom_margin=“||-30px||false|false“ global_colors_info=“{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}“][et_pb_row column_structure=“3_5,2_5″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ custom_margin=“||0px||false|false“ custom_padding=“20px|15px|20px|15px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“3_5″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_heading title=“Fr 06.03. | 20:00 | tanz“ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_text_align=“left“ title_font_size=“19px“ custom_margin=“||24px||false|false“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“Paula Rosolen“ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size=“38px“ custom_margin=“0px||||false|false“ title_font_size_tablet=“38px“ title_font_size_phone=“29px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“Noice\/Noise“ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size=“90px“ custom_margin=“-17px||||false|false“ custom_padding=“||0px||false|false“ title_text_color_tablet=““ title_text_color_phone=““ title_text_color_last_edited=“on|phone“ title_font_size_tablet=““ title_font_size_phone=“70px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ text_font=“IBM Plex Sans Thai|||||on|||“ text_font_size=“21px“ header_font=“Bebas Neue|||||on|||“ header_4_font=“Bebas Neue|||||on|||“ custom_margin=“-30px||||false|false“ custom_padding=“0px||0px||false|false“ text_font_size_tablet=“19px“ text_font_size_phone=“15px“ text_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n

Choreografische Reflexion \u00fcber die allgegenw\u00e4rtige Pr\u00e4senz von L\u00e4rm.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“2_5″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_button button_url=“https:\/\/rausgegangen.de\/events\/paula-rosolen-noicenoise-0\/#future-events“ url_new_window=“on“ button_text=“Tickets kaufen“ button_alignment=“right“ _builder_version=“4.27.4″ _module_preset=“default“ custom_button=“on“ button_text_size=“20px“ button_text_color=“#222222″ button_border_width=“9px“ button_border_color=“#EDF000″ button_border_radius=“11px“ button_letter_spacing=“0px“ button_font=“Bebas Neue|||on|||||“ custom_margin=“0px|0px|||false|false“ custom_margin_tablet=“-15px||||false|false“ custom_margin_phone=“-15px||19px||false|false“ custom_margin_last_edited=“off|desktop“ custom_padding=“12px|24px|12px|24px|false|false“ button_text_size_tablet=“20px“ button_text_size_phone=“16px“ button_text_size_last_edited=“on|phone“ box_shadow_style=“preset3″ global_colors_info=“{}“][\/et_pb_button][et_pb_toggle title=“Ticketpreise anzeigen“ _builder_version=“4.27.4″ _module_preset=“default“ body_font_size=“11px“ max_width=“44%“ max_width_phone=“53%“ custom_margin=“-10px|0px|||false|false“ closed_title_font_size_tablet=““ closed_title_font_size_phone=“12px“ closed_title_font_size_last_edited=“on|phone“ body_font_size_tablet=““ body_font_size_phone=““ body_font_size_last_edited=“on|phone“ global_colors_info=“{%22gcid-heading-color%22:%91%22open_icon_color%22%93}“]Tickets:<\/strong> 20 \u20ac \/ 12 \u20ac<\/p>\n

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Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)
\n[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597″ global_colors_info=“{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}“][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ custom_margin=“-40px||0px||false|false“ custom_padding=“|5px||5px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/schwerereiter.de\/wp-content\/uploads\/2026\/01\/NoiceNoiseCreditsJoergBaumann.jpg“ title_text=“NoiceNoiseCreditsJoergBaumann“ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ text_font_size=“12px“ custom_margin=“-20px||||false|false“ global_colors_info=“{}“]<\/p>\n

\u00a9 Foto: Joerg Baumann<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ text_text_color=“#222222″ text_font_size=“17px“ text_orientation=“justified“ custom_padding=“|5px||5px|false|false“ text_font_size_tablet=“17px“ text_font_size_phone=“15px“ text_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n

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NOICE\/NOISE von Paula Rosolen \/ Haptic Hide ist eine choreografische Reflexion \u00fcber die allgegenw\u00e4rtige Pr\u00e4senz von L\u00e4rm \u2013 von digitaler \u00dcberlastung bis zu den politischen Konflikten unserer Zeit.<\/p>\n<\/div>\n

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Inspiriert von der futuristischen Bewegung des fr\u00fchen 20. Jahrhunderts untersucht Rosolen gemeinsam mit drei Performer*innen, wie L\u00e4rm unsere K\u00f6rper pr\u00e4gt und gesellschaftliche wie historische Ver\u00e4nderungen sichtbar macht \u2013 nicht nur als Klang, sondern als visuelle, k\u00f6rperliche und emotionale St\u00f6rung.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ custom_margin=“||40px||false|false“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ custom_margin=“-40px||||false|false“ custom_padding=“|10px|0px|10px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_heading title=“Mitwirkende“ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size_tablet=““ title_font_size_phone=“24px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ text_text_color=“#222222″ text_font_size=“16px“ text_font_size_tablet=“16px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n

K\u00fcnstlerische Leitung, Choreografie: Paula Rosolen<\/span>
Entwickelt mit & performed von: Daniel Conant, Ted Littlemore, Piaera Lauritz<\/span>
Musik: Nicolas Fehr<\/span>
Video & Sound Engineer: Mauro Zannoli<\/span>
Kost\u00fcme: Anika Alischewski, Paula Rosolen, J.M. Fiebelkorn<\/span>
B\u00fchnenbild: Paula Rosolen, J.M. Fiebelkorn<\/span>
Licht: Jimmy K\u00f6mpel, Paula Rosolen<\/span>
Choreografische Assistenz: Christopher Matthews<\/span>
Outside Eye: Maximilian Zahn, Peter Sampel, Il-Jin Atem Choi<\/span>
Redaktionelle Mitarbeit: Peter Sampel<\/span>
Produktions- & Touringmanagement: Dominga Ort\u00fazar Bullemore<\/span><\/p>\n

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Eine Produktion von Paula Rosolen \/ Haptic Hide, in Koproduktion mit dem K\u00fcnstler*innenhaus Mousonturm im Rahmen der Tanzplattform Rhein-Main und Otto Productions.<\/span><\/p>\n

Gef\u00f6rdert durch den Fonds Darstellende K\u00fcnste aus Mitteln der Beauftragten der Bundesregierung f\u00fcr Kultur und Medien, dem Hessischen Ministerium f\u00fcr Wissenschaft, Forschung, Kunst und Kultur (HMWK) sowie durch den Bayerischen Landesverband f\u00fcr zeitgen\u00f6ssischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums f\u00fcr Wissenschaft und Kunst.<\/span><\/p>\n

In Kooperation mit Tanztendenz M\u00fcnchen e.V.\/schwere reiter tanz. Mit freundlicher Unterst\u00fctzung von Tanzb\u00fcro M\u00fcnchen, Association Vantastic und La M\u00e9nagerie de Verre Paris im Rahmen des STUDIO LAB Residenzprogramms.<\/span><\/p>\n

Haptic Hide erh\u00e4lt eine mehrj\u00e4hrige F\u00f6rderung durch das Kulturamt der Stadt Frankfurt am Main und wird durch das Programm Artiste Accueilli des CND \u2013 Centre national de la Danse in Pantin unterst\u00fctzt.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Choreografische Reflexion \u00fcber die allgegenw\u00e4rtige Pr\u00e4senz von L\u00e4rm.Tickets: 20 \u20ac \/ 12 \u20ac Wer erh\u00e4lt Erm\u00e4\u00dfigungen? Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden […]<\/p>\n","protected":false},"author":4,"featured_media":7548,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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\u201eExtending the limits of our being and transcending our everyday presence. We\u00a0have\u00a0nothing\u00a0else\u00a0other\u00a0than\u00a0our\u00a0decisions, choices, and actions.\u201c\u00a0<\/p>

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Tickets:<\/strong> 20 \u20ac \/ 12 \u20ac<\/p>

Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)<\/p>

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\"1\" _builder_version=\"4.27.4\" _module_preset=\"default\" background_color=\"gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597\" global_colors_info=\"{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}\"][et_pb_row _builder_version=\"4.27.4\" _module_preset=\"default\" background_color=\"#FFFFFF\" custom_margin=\"-40px||0px||false|false\" custom_padding=\"|5px||5px|false|false\" box_shadow_style=\"preset2\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/schwerereiter.de\/wp-content\/uploads\/2025\/12\/StandPunkt.e-OmarRajehMaqamat_photo-by-Elizabeth-Pearl_22-scaled.webp\" title_text=\"StandPunkt.e-OmarRajehMaqamat_photo by Elizabeth Pearl_22\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text _builder_version=\"4.27.4\" _module_preset=\"default\" text_font_size=\"12px\" custom_margin=\"-20px||||false|false\" global_colors_info=\"{}\"]<\/p>

\u00a9 Foto:Elisabeth Pearl<\/p>

[\/et_pb_text][et_pb_text _builder_version=\"4.27.4\" _module_preset=\"default\" text_text_color=\"#222222\" text_font_size=\"17px\" text_orientation=\"justified\" custom_padding=\"|5px||5px|false|false\" hover_enabled=\"0\" text_font_size_tablet=\"17px\" text_font_size_phone=\"15px\" text_font_size_last_edited=\"on|phone\" global_colors_info=\"{}\" sticky_enabled=\"0\"]<\/p>

Bei STANDPUNKT.e gew\u00e4hrt Omar Rajeh Einblicke in den Kern seiner choreografischen Praxis und teilt die Inspirationen und Prozesse, die seine Arbeit jenseits der fertigen Produktionen pr\u00e4gen.<\/p>

Er legt die Grundlagen seiner Forschung an Bewegung offen: einen konzeptuellen wie physischen Ansatz, der den K\u00f6rper als Zusammensetzung vieler K\u00f6rper begreift (multi-bodies)<\/strong>, in denen Schichten aus Erinnerung, Empfindung, Geschichte und Imagination miteinander in Beziehung treten. Im Fokus steht die Frage, wie mehrere Zentren im K\u00f6rper Situationen und eine unmittelbare, geerdete Pr\u00e4senz entstehen lassen.<\/p>

Der Abend wird zu einem gemeinsamen, pers\u00f6nlichen Raum, der das Publikum dazu einl\u00e4dt, Erlebnisse mitzugestalten und jene stille, dichte Zone zu betreten, in der Choreografie ihren Anfang nimmt.<\/p>

\u00a0<\/p>

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Mit freundlicher Unterst\u00fctzung des Kulturreferats der LH M\u00fcnchen, diese Projekt wird erm\u00f6glicht durch den Bayerischen Landesverband f\u00fcr zeitgen\u00f6ssischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums f\u00fcr Wissenschaft und Kunst und der Stiftung Stra\u00dfenkunst Stadtsparkasse M\u00fcnchen<\/p>

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