{"id":7803,"date":"2026-02-03T13:41:09","date_gmt":"2026-02-03T12:41:09","guid":{"rendered":"https:\/\/schwerereiter.de\/?post_type=tribe_events&p=7803"},"modified":"2026-03-16T21:04:32","modified_gmt":"2026-03-16T20:04:32","slug":"in-schwarz-und-weiss-zu-4-haenden-an-2-klavieren","status":"publish","type":"tribe_events","link":"https:\/\/schwerereiter.de\/?tribe_events=in-schwarz-und-weiss-zu-4-haenden-an-2-klavieren","title":{"rendered":"In Schwarz und Wei\u00df \u2013 zu 4 H\u00e4nden an 2 Klavieren: Raynaud u. Collot \u2013 Karja u. Hauptmann"},"content":{"rendered":"

[et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597″ custom_margin=“||-30px||false|false“ global_colors_info=“{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}“][et_pb_row column_structure=“3_5,2_5″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ custom_margin=“||0px||false|false“ custom_padding=“20px|15px|20px|15px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“3_5″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_heading title=“MI 22.04. | 20:00 | musik “ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_text_align=“left“ title_font_size=“19px“ custom_margin=“||24px||false|false“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“In Schwarz und Wei\u00df“ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size=“38px“ custom_margin=“0px||||false|false“ title_font_size_tablet=“38px“ title_font_size_phone=“29px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“zu 4 H\u00e4nden an 2 Klavieren“ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size=“82px“ width=“76%“ custom_margin=“-17px|0px|||false|false“ custom_padding=“||0px||false|false“ title_text_color_tablet=““ title_text_color_phone=““ title_text_color_last_edited=“on|phone“ title_font_size_tablet=““ title_font_size_phone=“48px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“Sophie Raynaud und Jean-Pierre Collot“ _builder_version=“4.27.4″ _module_preset=“default“ title_level=“h2″ title_font=“Bebas Neue||||||||“ width=“76%“ custom_margin=“-17px|87px|||false|false“ custom_padding=“||0px||false|false“ title_text_color_tablet=““ title_text_color_phone=““ title_text_color_last_edited=“on|phone“ title_font_size_tablet=““ title_font_size_phone=“48px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“Kirke Karja und Felix Hauptmann“ _builder_version=“4.27.4″ _module_preset=“default“ title_level=“h2″ title_font=“Bebas Neue||||||||“ width=“76%“ custom_margin=“-17px|87px|||false|false“ custom_padding=“||0px||false|false“ title_text_color_tablet=““ title_text_color_phone=““ title_text_color_last_edited=“on|phone“ title_font_size_tablet=““ title_font_size_phone=“48px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][\/et_pb_column][et_pb_column type=“2_5″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_button button_url=“https:\/\/rausgegangen.de\/events\/in-schwarz-und-wei-zu-4-handen-an-2-klavieren-0\/“ url_new_window=“on“ button_text=“Tickets kaufen“ button_alignment=“right“ _builder_version=“4.27.4″ _module_preset=“default“ custom_button=“on“ button_text_size=“20px“ button_text_color=“#222222″ button_border_width=“9px“ button_border_color=“#EDF000″ button_border_radius=“11px“ button_letter_spacing=“0px“ button_font=“Bebas Neue|||on|||||“ custom_margin=“0px|0px|||false|false“ custom_margin_tablet=“-15px||||false|false“ custom_margin_phone=“-15px||19px||false|false“ custom_margin_last_edited=“off|desktop“ custom_padding=“12px|24px|12px|24px|false|false“ button_text_size_tablet=“20px“ button_text_size_phone=“16px“ button_text_size_last_edited=“on|phone“ box_shadow_style=“preset3″ global_colors_info=“{}“][\/et_pb_button][et_pb_toggle title=“Ticketpreise anzeigen“ _builder_version=“4.27.4″ _module_preset=“default“ body_font_size=“11px“ max_width=“49%“ max_width_phone=“53%“ custom_margin=“-10px|0px|||false|false“ closed_title_font_size_tablet=““ closed_title_font_size_phone=“12px“ closed_title_font_size_last_edited=“on|phone“ body_font_size_tablet=““ body_font_size_phone=““ body_font_size_last_edited=“on|phone“ global_colors_info=“{%22gcid-heading-color%22:%91%22open_icon_color%22%93}“]<\/p>\n

Tickets:<\/strong> 24\u20ac \/ 16\u20ac (2 Tage-Ticket: 40\u20ac \/ 28\u20ac)<\/p>\n

\n

Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)<\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597″ global_colors_info=“{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}“][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ custom_margin=“-40px||0px||false|false“ custom_padding=“|5px||5px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ text_text_color=“#222222″ text_font_size=“17px“ text_orientation=“justified“ min_height=“266px“ custom_padding=“|10px||10px|false|false“ text_font_size_tablet=“17px“ text_font_size_phone=“15px“ text_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n

Dieses au\u00dfergew\u00f6hnliche Konzertformat stellt an zwei Abenden je ein Klavierduo aus der notierten einem Klavierduo aus der improvisierten zeitgen\u00f6ssischen Musik gegen\u00fcber.\u00a0Jedes Duo spielt einen einst\u00fcndigen Konzertteil.<\/p>\n

Zwei Pers\u00f6nlichkeiten am gleichen Instrument gehen in einen direkten musikalischen Austausch, jedoch auf ganz unterschiedliche Weise: Das Klavierduo der Neuen Musik widmet sich eingehend der Interpretation notierten Materials. Hier spielen die Betonung, die Agogik, die Verst\u00e4ndigung \u00fcber die Herangehensweise bestimmter Stellen, das Tempo usw. eine besondere Rolle. Das Klavierduo aus der improvisierten Musik genie\u00dft h\u00f6here Freiheitsgrade, die allerdings auch mit gr\u00f6\u00dferen Risiken einhergehen. Die Verst\u00e4ndigung findet ad hoc statt, die Entwicklung ist nicht vorhersehbar, die Entscheidungen werden aus dem Augenblick heraus getroffen.<\/p>\n

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Teil 1 | 20:00\u00a0<\/strong>
MANTRA \u2013 Karlheinz Stockhausen<\/strong>
Karlheinz Stockhausens \u201eMantra\u201c f\u00fcr zwei Klaviere, Ringmodulatoren, Krotalen, Woodblocks (1970)<\/h4>\n

Mantra<\/em>, 1970 von Karlheinz Stockhausen f\u00fcr zwei Klaviere, antike Zimbeln und Ringmodulatoren komponiert, hat seit langem Kultstatus erlangt. Mit diesem Werk, basierend auf einer einzigen Formel \u2013 dem Mantra \u2013 kehrt Stockhausen zur traditionellen Notation zur\u00fcck, nachdem er sich ein Jahrzehnt lang der Prozesskomposition, der elektronischen Musik (Hymnen<\/em>) und der intuitiven Musik (Aus den sieben Tagen<\/em>\u2026) gewidmet hat. Fasziniert von Anton Webern und Sri Aurobindo, schafft Stockhausen \u201emit der einheitlichen Konstruktion von Mantra <\/em>eine musikalische Miniatur der einheitlichen Makro-Struktur des Kosmos.\u201c |\u00a0Sophie Raynaud und Jean-Pierre Collot (Klavier), Andreas Fischer (Klangprojektion, Klangregie)<\/strong><\/span><\/p>\n

Teil 2| 21:20
Underwater Consciousness<\/strong><\/h4>\n

Underwater Consciousness verwischt die Grenzen zwischen freier Improvisation und spontaner Komposition und f\u00e4ngt die Erkundung von texturaler Tiefe, rhythmischer Komplexit\u00e4t und geschichteten Strukturen in einem zarten, zugleich fesselnden Klavierdialog ein. Die Musik entspringt einem gemeinsamen rhythmischen Empfinden und zieht die H\u00f6rer:innen in immersive Klanglandschaftenvoller Dringlichkeit und Introspektion. | <\/span><\/span>Kirke Karja und Felix Hauptmann (Klavier)<\/strong><\/p>\n

 <\/p>\n

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Sophie Raynaud\u00a0 \u00a9 Foto: Tatyana Vlasova<\/p>\n

[\/et_pb_text][et_pb_image src=“https:\/\/schwerereiter.de\/wp-content\/uploads\/2026\/02\/220426_Jean-Pierre-Collot_c_Susie-Knoll.jpeg“ title_text=“220426_Jean-Pierre Collot_c_Susie Knoll“ _builder_version=“4.27.4″ _module_preset=“default“ custom_margin=“|10px|||false|false“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ text_font_size=“12px“ custom_margin=“-20px||||false|false“ custom_padding=“|10px|||false|false“ global_colors_info=“{}“]<\/p>\n

Jean-Pierre Collot \u00a9 Foto: Susie Knoll<\/p>\n

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Kirke Karja und Felix Hauptmann\u00a0 \u00a9 Foto: Niclas Weber<\/p>\n

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Tickets: 24\u20ac \/ 16\u20ac (2 Tage-Ticket: 40\u20ac \/ 28\u20ac) Wer erh\u00e4lt Erm\u00e4\u00dfigungen? Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an […]<\/p>\n","protected":false},"author":4,"featured_media":7814,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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Klangarchitekturen zwischen Komposition, Kollektiv und Live-Electronics<\/p>

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Tickets:<\/strong> 20\u20ac \/ 14\u20ac<\/p>

Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)<\/p>

[\/et_pb_toggle][et_pb_code _builder_version=\"4.27.4\" _module_preset=\"default\" text_orientation=\"right\" custom_margin=\"-10px|11px|||false|false\" link_option_url=\"https:\/\/schwerereiter.de\/?page_id=3028&et_fb=1&PageSpeed=off\" link_option_url_new_window=\"on\" locked=\"off\" global_colors_info=\"{}\"]Veranstaltung ist Teil von Ko-Labor<\/a>[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\"1\" _builder_version=\"4.27.4\" _module_preset=\"default\" background_color=\"gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597\" global_colors_info=\"{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}\"][et_pb_row _builder_version=\"4.27.4\" _module_preset=\"default\" background_color=\"#FFFFFF\" custom_margin=\"-40px||0px||false|false\" custom_padding=\"|5px||5px|false|false\" box_shadow_style=\"preset2\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/schwerereiter.de\/wp-content\/uploads\/2026\/01\/21042026_Marina_Schlagintweit_Large_Ensemble_c_Leo_Zwiebel-scaled.webp\" title_text=\"21042026_Marina_Schlagintweit_Large_Ensemble_c_Leo_Zwiebel\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text _builder_version=\"4.27.4\" _module_preset=\"default\" text_font_size=\"12px\" custom_margin=\"-20px||||false|false\" global_colors_info=\"{}\"]<\/p>

\u00a9 Foto: Leo Zwiebel<\/p>

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Mit ihrem Large Ensemble \u00f6ffnet Marina Schlagintweit einen Klangraum, der Neugier weckt und mitrei\u00dft. Die Pianistin und Komponistin, ausgezeichnetmit dem Jutta-Hipp-Preis des Jazzverband Sachsens, hat die neunk\u00f6pfigeFormation bewusst aus starken musikalischen Pers\u00f6nlichkeitenzusammengestellt. Entstanden ist ein Kollektiv, das ihre erz\u00e4hlerischgedachten Partituren mit Offenheit, Leidenschaft und Mut zum Lebenerweckt.Die unkonventionelle Besetzung mit Altfl\u00f6te, Geige, Bassklarinette,Trompete, Posaune und Live-Electronics trifft auf eine pulsierende RhythmSection. Electronics fungieren dabei als vollwertiges Instrument unddramaturgische Instanz. So l\u00e4sst Schlagintweits Musik eine dynamischeArchitektur mit \u00fcberraschenden Elementen entstehen, die die klanglichenM\u00f6glichkeiten des Ensembles voll aussch\u00f6pft. Jede Komposition besitzt ihreeigne DNA, aus der sich eine den musikalischen Verlauf pr\u00e4gende Gestaltentwickelt.<\/p>

Dieses Konzert wird als Live-Recording vom Bayerischen Rundfunkaufgezeichnet und als erstes Album des Ensembles erscheinen: eine Einladung zum aufmerksamen H\u00f6ren und gemeinsamen Entdecken.<\/strong><\/p>

Dieses Konzert ist Partner im KO-Labor: Begegnung, Austausch, Einf\u00fchrung und Nachgespr\u00e4che \u2013 zu Gast bei den K\u00fcnstler*innen. FR\u00dcHER KOMMEN \u2013 L\u00c4NGER BLEIBEN! <\/strong>Zusammen mit den K\u00fcnstler*innen kann das Publikum schon vor dem Konzert gedanklich in die Musik eintauchen, und im Anschluss auf der Coda-Couch mit anderen ins Gespr\u00e4ch kommen. Alles zwanglos, daf\u00fcr umso pers\u00f6nlicher. Eine Initiative vom Musikb\u00fcro Muc, scope und schwere reiter<\/strong><\/p>

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Marina Schlagintweit (p, comp), Paula W\u00fcnsch (b), Max Stadtfeld (dr), Teresa Allgaier (vl) Nancy Meier (fl), Georg Demel (tb) Gregor Nicolai (elec), Jakob Lakner (kl), Matthias Lindermayr (tr)<\/p>

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Musikfonds e.V. mit Mitteln des Beauftragten der Bundesregierung f\u00fcr Kultur und Medien<\/p>

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