{"id":8642,"date":"2026-06-02T18:29:48","date_gmt":"2026-06-02T16:29:48","guid":{"rendered":"https:\/\/schwerereiter.de\/?post_type=tribe_events&p=8642"},"modified":"2026-06-02T18:29:50","modified_gmt":"2026-06-02T16:29:50","slug":"think-big-11-compagnie-par-terre-anne-nguyen-superstrat-14-2","status":"publish","type":"tribe_events","link":"https:\/\/schwerereiter.de\/?tribe_events=think-big-11-compagnie-par-terre-anne-nguyen-superstrat-14-2","title":{"rendered":"Think Big! #11 | Compagnie par Terre \/ Anne Nguyen: [SUPERSTRAT[ (14+)"},"content":{"rendered":"

[et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597″ custom_margin=“||-30px||false|false“ global_colors_info=“{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}“][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ custom_margin=“||0px||false|false“ custom_padding=“20px|15px|20px|15px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_heading title=“DI 14.07. | 20:00 | theater “ _builder_version=“4.27.6″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_text_align=“left“ title_font_size=“19px“ custom_margin=“||24px||false|false“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“Compagnie par Terre \/ Anne Nguyen“ _builder_version=“4.27.6″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size=“38px“ custom_margin=“0px||||false|false“ title_font_size_tablet=“38px“ title_font_size_phone=“29px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_heading title=“%91SUPERSTRAt%91″ _builder_version=“4.27.6″ _module_preset=“default“ title_font=“Bebas Neue|||on|||||“ title_text_color=“#000000″ title_font_size=“90px“ width=“100%“ max_width=“100%“ custom_margin=“-23px||||false|false“ custom_padding=“||0px||false|false“ title_text_color_tablet=““ title_text_color_phone=““ title_text_color_last_edited=“on|phone“ title_font_size_tablet=““ title_font_size_phone=“48px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_text _builder_version=“4.27.6″ _module_preset=“default“ text_font=“IBM Plex Sans Thai|||||on|||“ text_font_size=“21px“ header_font=“Bebas Neue|||||on|||“ header_4_font=“Bebas Neue|||||on|||“ custom_margin=“-30px||||false|false“ custom_padding=“0px||0px||false|false“ text_font_size_tablet=“19px“ text_font_size_phone=“15px“ text_font_size_last_edited=“on|phone“ global_colors_info=“{}“]Tanzperformance. Altersempfehlung: 14+
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_button button_url=“https:\/\/rausgegangen.de\/events\/compagnie-par-terre-anne-nguyen-superstrat-1\/“ url_new_window=“on“ button_text=“Tickets kaufen“ button_alignment=“right“ _builder_version=“4.27.6″ _module_preset=“default“ custom_button=“on“ button_text_size=“20px“ button_text_color=“#222222″ button_border_width=“9px“ button_border_color=“#EDF000″ button_border_radius=“11px“ button_letter_spacing=“0px“ button_font=“Bebas Neue|||on|||||“ custom_margin=“0px|0px|||false|false“ custom_margin_tablet=“-15px||||false|false“ custom_margin_phone=“-15px||19px||false|false“ custom_margin_last_edited=“off|desktop“ custom_padding=“12px|24px|12px|24px|false|false“ button_text_size_tablet=“20px“ button_text_size_phone=“16px“ button_text_size_last_edited=“on|phone“ box_shadow_style=“preset3″ global_colors_info=“{}“][\/et_pb_button][et_pb_toggle title=“Ticketpreise anzeigen“ _builder_version=“4.27.6″ _module_preset=“4b8142c2-b661-4d49-a752-dd41b64f2d3e“ body_font_size=“11px“ max_width=“49%“ max_width_phone=“53%“ custom_margin=“-10px|0px|||false|false“ closed_title_font_size_tablet=““ closed_title_font_size_phone=“12px“ closed_title_font_size_last_edited=“on|phone“ body_font_size_tablet=““ body_font_size_phone=““ body_font_size_last_edited=“on|phone“ global_colors_info=“{%22gcid-heading-color%22:%91%22open_icon_color%22%93}“]Tickets:<\/strong> 30\u20ac \/ 16\u20ac \/ 9\u20ac \/5\u20ac<\/p>\n

\n

Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)<\/p>\n

Klimafolgekosten-Ticket<\/strong>: optional 2 \u20ac Aufschlag pro Ticket in allen Preiskategorien. HIER<\/a>\u00a0gibt es mehr Informationen.
\n[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ custom_margin=“20px||||false|false“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/schwerereiter.de\/wp-content\/uploads\/2026\/06\/Pic_SUP_9_Patrick_Berger_BERPA250124_60.jpg“ title_text=“Pic_SUP_9_Patrick_Berger_BERPA250124_60+“ _builder_version=“4.27.6″ _module_preset=“default“ custom_padding=“|5px||5px|false|false“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.27.6″ _module_preset=“default“ text_font_size=“12px“ background_color=“#FFFFFF“ custom_margin=“-20px||||false|false“ custom_padding=“|5px|||false|false“ global_colors_info=“{}“]<\/p>\n

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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a9 Foto: Patrick Berger<\/p>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597″ global_colors_info=“{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}“][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ custom_margin=“-40px|auto|-4px|auto|false|false“ custom_padding=“|5px||5px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.27.6″ _module_preset=“default“ text_text_color=“#222222″ text_font_size=“17px“ text_orientation=“justified“ custom_padding=“|5px||5px|false|false“ text_font_size_tablet=“17px“ text_font_size_phone=“15px“ text_font_size_last_edited=“on|phone“ global_colors_info=“{}“]Willy Kazzama nimmt das Publikum mit auf eine Reise durch sein Leben, das ihn auf Wege zwischen urbanem Hip-Hop und teils uralten afrikanischen Tanz-Traditionen mit teils uralten Rhythmen und Gesten f\u00fchrt. Wie pr\u00e4gen unsere Wurzeln unseren K\u00f6rper und unsere Bewegungen? [Superstrat[ fragt, welche Elemente einer (K\u00f6rper-)Sprache \u00fcberleben, wenn sie von neuen Sprachen \u00fcberlagert werden. Wie speichert ein K\u00f6rper die Erinnerungen vertriebener Vorfahren? Willy Kazzama verbindet im Tanz voller Kraft und Lust sein kulturelles Erbe mit den Einfl\u00fcssen, die durch Migration und kulturelle Globalisierung entstehen.
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.27.6″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.6″ _module_preset=“default“ global_colors_info=“{}“][et_pb_video src=“https:\/\/www.youtube.com\/watch?v=7WiLfPB1nB4″ _builder_version=“4.27.6″ _module_preset=“default“ custom_margin=“||47px|||“ global_colors_info=“{}“][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ min_height=“240.4px“ custom_margin=“-40px|auto|88px|auto|false|false“ custom_padding=“|5px||5px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.27.5″ _module_preset=“default“ text_text_color=“#222222″ text_font_size=“17px“ text_orientation=“justified“ custom_padding=“|5px||5px|false|false“ text_font_size_tablet=“17px“ text_font_size_phone=“15px“ text_font_size_last_edited=“on|phone“ global_colors_info=“{}“]Die T\u00e4nzerin, Choreografin, Autorin und Theaterregisseurin\u00a0Anne Nguyen\u00a0<\/strong>gr\u00fcndete 2005 die par terre Dance Company, um ihre Vision des Hip-Hop-Tanzes innerhalb der choreografischen K\u00fcnste zu vertreten: \u201eIch interessiere mich f\u00fcr die geometrische Transposition von Hip-Hop-Bewegungen, die in der Regel aus frontalen, kreisf\u00f6rmigen Bewegungen bestehen, die innerhalb eines definierten Raums, n\u00e4mlich der B\u00fchne, ausgef\u00fchrt werden. Ich untersuche die Beziehung zwischen dem Darsteller und dem Publikum, die Beziehung zum Partner und das Gef\u00fchl der ‚Zusammengeh\u00f6rigkeit‘ auf der B\u00fchne.\u201c<\/p>\n

Die Compagnie ist zum zweiten Mal zu Gast bei THINK BIG!
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ min_height=“169.9px“ custom_margin=“-40px|auto|46px|auto|false|false“ custom_padding=“|10px|0px|10px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_heading title=“Mitwirkende“ _builder_version=“4.27.4″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size_tablet=““ title_font_size_phone=“24px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_text _builder_version=“4.27.6″ _module_preset=“default“ text_text_color=“#222222″ text_font_size=“16px“ text_font_size_tablet=“16px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|phone“ global_colors_info=“{}“]Choreografie<\/strong>\u00a0Anne Nguyen |\u00a0Mit<\/strong>\u00a0Mark-Wilfried Kouadio alias \u201eWilly Kazzama\u201c |\u00a0Musik<\/strong>\u00a0Pierre Demange & Gr\u00e9goire Letouvet |\u00a0Kost\u00fcme<\/strong>\u00a0Ludivine Maillard |\u00a0Lichtdesign<\/strong>\u00a0Nicolas Flamant |<\/p>\n

www.compagnieparterre.fr<\/a>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#FFFFFF“ min_height=“189.7px“ custom_margin=“47px|auto|-11px|auto|false|false“ custom_padding=“|10px||10px|false|false“ box_shadow_style=“preset2″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_heading title=“F\u00d6rder*innen“ _builder_version=“4.27.5″ _module_preset=“default“ title_font=“Bebas Neue||||||||“ title_font_size_tablet=““ title_font_size_phone=“24px“ title_font_size_last_edited=“on|phone“ global_colors_info=“{}“][\/et_pb_heading][et_pb_text _builder_version=“4.27.6″ _module_preset=“default“ text_text_color=“#222222″ text_font_size=“16px“ text_font_size_tablet=“16px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|phone“ global_colors_info=“{}“]Das Festival THINK BIG! #11 wird gef\u00f6rdert durch<\/strong>\u00a0das Kulturreferat der Landeshauptstadt M\u00fcnchen,\u00a0mit freundlicher Unterst\u00fctzung durch den Bezirk Oberbayern und die Kulturstiftung der Stadtsparkasse,\u00a0sowie durch den Bayerischen Landesverband f\u00fcr zeitgen\u00f6ssischen Tanz (BLZT) aus Mitteln des\u00a0Bayerischen Staatsministeriums f\u00fcr Wissenschaft und Kunst.<\/p>\n

Die Fachtagung wird in Kooperation mit tanzhaus nrw D\u00fcsseldorf veranstaltet und wird gef\u00f6rdert durch\u00a0den Fonds Darstellende K\u00fcnste aus Mitteln des Beauftragten der Bundesregierung f\u00fcr Kultur und Medien.<\/p>\n

Das Tanzvermittlungsprogramm wird gef\u00f6rdert durch die Treuhandstiftung\u00a0Musik zum Leben unter dem Dach der B\u00fcrgerStiftung M\u00fcnchen.<\/p>\n

Wir danken allen Kooperationspartner*innen:<\/strong><\/p>\n

TUM tanzt!, HochX, PATHOS theater, Muffatwerk, Kulturzentrum LUISE und Tanzb\u00fcro M\u00fcnchen.
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Tanzperformance. Altersempfehlung: 14+ Tickets: 30\u20ac \/ 16\u20ac \/ 9\u20ac \/5\u20ac Wer erh\u00e4lt Erm\u00e4\u00dfigungen? Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte […]<\/p>\n","protected":false},"author":4,"featured_media":8640,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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Tanzperformance. Altersempfehlung: 14+<\/p>

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Tickets:<\/strong> 30\u20ac \/ 16\u20ac \/ 9\u20ac \/5\u20ac<\/p>

Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)<\/p>

Klimafolgekosten-Ticket<\/strong>: optional 2 \u20ac Aufschlag pro Ticket in allen Preiskategorien. HIER<\/a>\u00a0gibt es mehr Informationen.<\/p>

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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a9 Foto: Patrick Berger<\/p><\/div>

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Willy Kazzama nimmt das Publikum mit auf eine Reise durch sein Leben, das ihn auf Wege zwischen urbanem Hip-Hop und teils uralten afrikanischen Tanz-Traditionen mit teils uralten Rhythmen und Gesten f\u00fchrt. Wie pr\u00e4gen unsere Wurzeln unseren K\u00f6rper und unsere Bewegungen? [Superstrat[ fragt, welche Elemente einer (K\u00f6rper-)Sprache \u00fcberleben, wenn sie von neuen Sprachen \u00fcberlagert werden. Wie speichert ein K\u00f6rper die Erinnerungen vertriebener Vorfahren? Willy Kazzama verbindet im Tanz voller Kraft und Lust sein kulturelles Erbe mit den Einfl\u00fcssen, die durch Migration und kulturelle Globalisierung entstehen.<\/p>

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Die T\u00e4nzerin, Choreografin, Autorin und Theaterregisseurin\u00a0Anne Nguyen\u00a0<\/strong>gr\u00fcndete 2005 die par terre Dance Company, um ihre Vision des Hip-Hop-Tanzes innerhalb der choreografischen K\u00fcnste zu vertreten: \u201eIch interessiere mich f\u00fcr die geometrische Transposition von Hip-Hop-Bewegungen, die in der Regel aus frontalen, kreisf\u00f6rmigen Bewegungen bestehen, die innerhalb eines definierten Raums, n\u00e4mlich der B\u00fchne, ausgef\u00fchrt werden. Ich untersuche die Beziehung zwischen dem Darsteller und dem Publikum, die Beziehung zum Partner und das Gef\u00fchl der 'Zusammengeh\u00f6rigkeit' auf der B\u00fchne.\u201c<\/p>

Die Compagnie ist zum zweiten Mal zu Gast bei THINK BIG!<\/p>

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Choreografie<\/strong>\u00a0Anne Nguyen |\u00a0Mit<\/strong>\u00a0Mark-Wilfried Kouadio alias \u201eWilly Kazzama\u201c |\u00a0Musik<\/strong>\u00a0Pierre Demange & Gr\u00e9goire Letouvet |\u00a0Kost\u00fcme<\/strong>\u00a0Ludivine Maillard |\u00a0Lichtdesign<\/strong>\u00a0Nicolas Flamant |<\/p>

www.compagnieparterre.fr<\/a><\/p>

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Das Festival THINK BIG! #11 wird gef\u00f6rdert durch<\/strong>\u00a0das Kulturreferat der Landeshauptstadt M\u00fcnchen,\u00a0mit freundlicher Unterst\u00fctzung durch den Bezirk Oberbayern und die Kulturstiftung der Stadtsparkasse,\u00a0sowie durch den Bayerischen Landesverband f\u00fcr zeitgen\u00f6ssischen Tanz (BLZT) aus Mitteln des\u00a0Bayerischen Staatsministeriums f\u00fcr Wissenschaft und Kunst.<\/p>

Die Fachtagung wird in Kooperation mit tanzhaus nrw D\u00fcsseldorf veranstaltet und wird gef\u00f6rdert durch\u00a0den Fonds Darstellende K\u00fcnste aus Mitteln des Beauftragten der Bundesregierung f\u00fcr Kultur und Medien.<\/p>

Das Tanzvermittlungsprogramm wird gef\u00f6rdert durch die Treuhandstiftung\u00a0Musik zum Leben unter dem Dach der B\u00fcrgerStiftung M\u00fcnchen.<\/p>

Wir danken allen Kooperationspartner*innen:<\/strong><\/p>

TUM tanzt!, HochX, PATHOS theater, Muffatwerk, Kulturzentrum LUISE und Tanzb\u00fcro M\u00fcnchen.<\/p>

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