{"id":9041,"date":"2026-08-04T14:14:39","date_gmt":"2026-08-04T12:14:39","guid":{"rendered":"https:\/\/schwerereiter.de\/?post_type=tribe_events&p=9041"},"modified":"2026-08-04T16:41:38","modified_gmt":"2026-08-04T14:41:38","slug":"andreas-skouras-neue-klavieretueden","status":"publish","type":"tribe_events","link":"https:\/\/schwerereiter.de\/?tribe_events=andreas-skouras-neue-klavieretueden","title":{"rendered":"Andreas Skouras: Neue Klavieret\u00fcden"},"content":{"rendered":"

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Ein Programm zu Ehren des Klaviers.<\/p>\n

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Tickets:<\/strong> 18\u20ac \/ 12\u20ac<\/p>\n

\n

Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)<\/p>\n

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\u00a9 Foto: Susanne Krauss<\/p>\n

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Es ist immer faszinierend, wenn sich Komponisten der Gegenwart Genres mit reicher Vorgeschichte ann\u00e4hern: Tobias PM Schneid, Minas Borboudakis, Brett Dean und Hans L\u00fcdemann sind gl\u00fccklicherweise das Wagnis eingegangen, neue Klavieret\u00fcden zu schreiben, die in diesem Konzert allesamt als Ur- bzw. Erstauff\u00fchrungen erklingen werden. So unterschiedlich der Ansatz der vier Komponisten auch sein mag, die Freude am Klavierklang und die zum Teil halsbrecherische Virtuosit\u00e4t ist ihnen gemein. Ein Programm zu Ehren des Klaviers.<\/span><\/p>\n

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Andreas Skouras\u00a0<\/a><\/p>\n

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Ein Programm zu Ehren des Klaviers.Tickets: 18\u20ac \/ 12\u20ac Wer erh\u00e4lt Erm\u00e4\u00dfigungen? Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an […]<\/p>\n","protected":false},"author":4,"featured_media":9045,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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Matthieu Bordenave und Simon Popp re-interpretieren Coltranes gro\u00dfes Werk.<\/p>

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Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong> Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte: cbg@scope-muenchen.de<\/a> (Musik) kommunikation@tanztendenz.de<\/a> (Tanz) ticket@pathos.theater<\/a> (Theater)
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\u00a9 Foto: Manuel Nieberle<\/p>

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Am 23. September 2026 j\u00e4hrt sich der Geburtstag von John Coltrane zum hundertsten Mal. Aus diesem Anlass pr\u00e4sentieren der Tenorsaxophonist Matthieu Bordenave und der Schlagzeuger\/Perkussionist Simon Popp eine intime Neuinterpretation von Coltranes letztem gro\u00dfen Verm\u00e4chtnis: Interstellar Space. Dieses 1967 aufgenommene Duoalbum, das erst posthum ver\u00f6ffentlicht wurde, gilt als eines der radikalsten Dokumente des Free Jazz \u2013ein Dialog zwischen Saxophon und Schlagzeug, der die Grenzen von Rhythmus, Klang und Ausdruck vollst\u00e4ndig aufhebt. Matthieu Bordenave, in Frankreich geboren und seit Jahren in dereurop\u00e4ischen Jazzszene verwurzelt, ist bekannt f\u00fcr seinen unverwechselbaren, lyrischen Ton und seine F\u00e4higkeit, zwischen tiefer Tradition und radikaler Offenheit zu navigieren. Simon Popp z\u00e4hlt zu den vielseitigsten Perkussionisten seiner Generation und verbindet strukturelles Denken mit unmittelbarer klanglicher Sensibilit\u00e4t.Gemeinsam n\u00e4hern sie sich Interstellar Space nicht als Rekonstruktion, sondern als lebendigem Gespr\u00e4ch mit einem Monument der Jazzgeschichte \u2013mit aller Freiheit, die Coltrane selbst eingefordert hat.<\/p>

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Matthieu Bordenave (Tenorsaxophon), Simon Popp (Schlagzeug)<\/p>

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