{"id":9875,"date":"2026-10-07T15:59:03","date_gmt":"2026-10-07T13:59:03","guid":{"rendered":"https:\/\/schwerereiter.de\/?post_type=tribe_events&p=9875"},"modified":"2026-10-07T16:40:56","modified_gmt":"2026-10-07T14:40:56","slug":"rosalie-wanka-mayaan-liebman-sharon-radical-embrace","status":"publish","type":"tribe_events","link":"https:\/\/schwerereiter.de\/?tribe_events=rosalie-wanka-mayaan-liebman-sharon-radical-embrace","title":{"rendered":"Rosalie Wanka + Mayaan Liebman-Sharon: RADICAL EMBRACE"},"content":{"rendered":"

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Ein physischer Dialogversuch in einer Zeit der Polarisierung.<\/p>\n

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\u00a9 Foto: Tom Gonsior<\/p>\n

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Radical Embrace betrachtet den k\u00f6rperlichen Akt des Umarmens als Konfrontation: Akzeptieren wir eine Situation oder lehnen wir sie ab? \u00d6ffnen wir uns dieser Situation oder wehren wir uns? Das englische Verb \u201cembrace\u201d bedeutet nicht nur, jemanden in seine Arme zu schlie\u00dfen, sondern auch etwas voll und ganz anzunehmen, fast damit eins zu werden. Radical Embrace m\u00f6chte gegen die Polarisierung, die Str\u00f6mungen von Intoleranz und Kategorisierung ein Zeichen setzen und der Vielfalt an Wahrheiten, Meinungen und T\u00f6nen einen Platz einr\u00e4umen. Diese Umarmung ist ein Zuh\u00f6ren, ein sich und andere Annehmen.<\/p>\n

In der zeitgen\u00f6ssischen Tanzperformance, erarbeitet von Rosalie Wanka und Aron Nowak zusammen mit der Choreographin Maayan Liebman-Sharon, die das Umarmen zu einem in Bewegung \u00fcbersetzen Politikum werden l\u00e4sst. Die interkulturelle Kooperation \u00fcberbr\u00fcckt dabei auch ein St\u00fcck weit den sich auftuenden Spalt in der Weltgesellschaft.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_image src=“https:\/\/schwerereiter.de\/wp-content\/uploads\/2026\/10\/Radical-Embrace-c-Tom-Gonsior-2.jpg“ title_text=“Radical Embrace c Tom Gonsior 2″ align=“center“ _builder_version=“4.27.7″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.27.7″ _module_preset=“default“ text_font_size=“12px“ custom_margin=“-20px||||false|false“ global_colors_info=“{}“]<\/p>\n

\u00a9 Foto: Tom Gonsior<\/p>\n

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Konzept: Maayan Liebman-Sharon + Rosalie Wanka
Choreographische Leitung: Maayan Liebman-Sharon
Choreographie: Maayan Liebman-Sharon, Aron Nowak, Rosalie Wanka
Performance: Aron Nowak, Rosalie Wanka
Produktion: Rosalie Wanka<\/p>\n

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Gef\u00f6rdert vom Kulturreferat der Stadt M\u00fcnchen, vom\u00a0Bayerischer Landesverband f\u00fcr zeitgen\u00f6ssischen Tanz und von der \u00d6sterreichischen Botschaft und dem \u00d6sterreichischen Kulturforum Jerusalem\/Israel.
In Koproduktion mit dem Jerusalem International Solo Dance Festival
G\u00e4ste der Tanztendenz M\u00fcnchen e.V.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Ein physischer Dialogversuch in einer Zeit der Polarisierung.\u00a9 Foto: Tom Gonsior Radical Embrace betrachtet den k\u00f6rperlichen Akt des Umarmens als Konfrontation: Akzeptieren wir eine Situation oder lehnen wir sie ab? […]<\/p>\n","protected":false},"author":4,"featured_media":9880,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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[\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_button button_url=\"https:\/\/rausgegangen.de\/events\/zufit-simon-tipping-point-point-of-no-return-1\/\" url_new_window=\"on\" button_text=\"Tickets kaufen\" button_alignment=\"right\" _builder_version=\"4.27.7\" _module_preset=\"default\" custom_button=\"on\" button_text_size=\"20px\" button_text_color=\"#222222\" button_border_width=\"9px\" button_border_color=\"#EDF000\" button_border_radius=\"11px\" button_letter_spacing=\"0px\" button_font=\"Bebas Neue|||on|||||\" custom_margin=\"0px|0px||0px|false|false\" custom_margin_tablet=\"-15px||||false|false\" custom_margin_phone=\"-15px||19px||false|false\" custom_margin_last_edited=\"off|desktop\" custom_padding=\"12px|24px|12px|24px|false|false\" button_text_size_tablet=\"20px\" button_text_size_phone=\"16px\" button_text_size_last_edited=\"on|phone\" box_shadow_style=\"preset3\" global_colors_info=\"{}\"][\/et_pb_button][et_pb_toggle title=\"Ticketpreise anzeigen\" _builder_version=\"4.27.6\" _module_preset=\"default\" max_width=\"46%\" custom_margin=\"-10px||||false|false\" custom_margin_tablet=\"-10px||||false|false\" custom_margin_phone=\"-18px|6px|10px||false|false\" custom_margin_last_edited=\"on|phone\" body_font_size_tablet=\"\" body_font_size_phone=\"\" body_font_size_last_edited=\"on|phone\" global_colors_info=\"{%22gcid-heading-color%22:%91%22open_icon_color%22%93}\"]Ticketpreis: 20 \u20ac \/ 12 \u20ac\/ 10 \u20ac<\/strong><\/p>

Wer erh\u00e4lt Erm\u00e4\u00dfigungen?<\/strong><\/p>

Sch\u00fcler*innen, Student*innen, Senior*innen ab 67, Erwerbslose und in Ausnahmef\u00e4llen auch Gruppen. F\u00fcr Letzteres wenden Sie sich bitte an die jeweilige Sparte:<\/p>

cbg@scope-muenchen.de<\/a> (Musik)<\/p>

kommunikation@tanztendenz.de<\/a> (Tanz)<\/p>

info@pathos.theater<\/a> (Theater)<\/p>

Bitte beachten Sie das solidarische Preissystem der Sparte theater.
[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\"1\" _builder_version=\"4.27.4\" _module_preset=\"default\" background_color=\"gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597\" global_colors_info=\"{%22gcid-3be8d3fa-8b11-41b4-b614-e601c43d7597%22:%91%22background_color%22%93}\"][et_pb_row _builder_version=\"4.27.4\" _module_preset=\"default\" background_color=\"#FFFFFF\" custom_margin=\"-40px||65px||false|false\" custom_padding=\"|5px||5px|false|false\" box_shadow_style=\"preset2\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/schwerereiter.de\/wp-content\/uploads\/2026\/09\/Tipping-Point_cOliver-Look_25-2.jpeg\" title_text=\"Tipping Point_(c)Oliver Look_25-2\" align=\"center\" _builder_version=\"4.27.7\" _module_preset=\"default\" global_colors_info=\"{}\"][\/et_pb_image][et_pb_text _builder_version=\"4.27.7\" _module_preset=\"default\" text_font_size=\"12px\" custom_margin=\"-20px||||false|false\" global_colors_info=\"{}\"]<\/p>

\u00a9 Foto: Oliver Look<\/p>

[\/et_pb_text][et_pb_text _builder_version=\"4.27.6\" _module_preset=\"default\" text_text_color=\"#222222\" text_font_size=\"17px\" text_orientation=\"justified\" custom_padding=\"|5px||5px|false|false\" text_font_size_tablet=\"17px\" text_font_size_phone=\"15px\" text_font_size_last_edited=\"on|phone\" global_colors_info=\"{}\"]<\/p>

Das St\u00fcck befasst sich mit dem Konzept der Kipp-Punkte oder \u201eTipping Points\u201c. Der urspr\u00fcnglich aus der Soziologie stammende Begriff bezeichnet einen kritischen Punkt \u2013 den \u201ePoint of no return\u201c \u2013 in einer Situation, \u00fcber den hinaus eine oft unumkehrbare Ver\u00e4nderung stattfindet. Momente, in denen eine geringf\u00fcgige Ver\u00e4nderung einen bedeutenden und oft irreversiblen Effekt ausl\u00f6sen kann, dienen als Metapher f\u00fcr das fragile Gleichgewicht, das in verschiedenen Aspekten des Lebens, der Politik und der Natur herrscht. Diese Arbeit l\u00e4sst sich von \u00f6kologischen Ver\u00e4nderungen, sozialen Bewegungen, pers\u00f6nlichen Entscheidungen und der Ungewissheit von Zukunft inspirieren.\u00a0Wie lassen sich physikalische Gesetze mittels der Bewegung und dem Spiel von lebendigen und materiellen, gestalteten K\u00f6rpern im Raum erforschen und auf poetische und dynamisch-t\u00e4nzerische Weise\u00a0veranschaulichen?<\/p><\/div><\/div><\/div>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.27.4\" _module_preset=\"default\" background_color=\"#FFFFFF\" custom_margin=\"-40px|auto|0px|auto|false|false\" custom_padding=\"|10px|47px|10px|false|false\" box_shadow_style=\"preset2\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_heading title=\"Mitwirkende\" _builder_version=\"4.27.4\" _module_preset=\"default\" title_font=\"Bebas Neue||||||||\" title_font_size_tablet=\"\" title_font_size_phone=\"24px\" title_font_size_last_edited=\"on|phone\" global_colors_info=\"{}\"][\/et_pb_heading][et_pb_text _builder_version=\"4.27.7\" _module_preset=\"default\" text_text_color=\"#222222\" text_font_size=\"16px\" text_font_size_tablet=\"16px\" text_font_size_phone=\"14px\" text_font_size_last_edited=\"on|phone\" global_colors_info=\"{}\"]K\u00fcnstlerische Leitung, Choreografie, Tanz: Zufit Simon<\/p>

Sound und Technologie: Fredrik Olofsson<\/p>

Lichtdesign: Dietrich Oberl\u00e4nder<\/p>

Kost\u00fcm: Mirella Oestreicher<\/p>

Outside eye: Micha Purucker<\/p>

PR: Beate Zeller
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.27.4\" _module_preset=\"default\" background_color=\"#FFFFFF\" custom_margin=\"25px|auto||auto|false|false\" custom_padding=\"|10px||10px|false|false\" box_shadow_style=\"preset2\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_heading title=\"F\u00f6rder*innen\" _builder_version=\"4.27.4\" _module_preset=\"default\" title_font=\"Bebas Neue||||||||\" title_font_size_tablet=\"\" title_font_size_phone=\"24px\" title_font_size_last_edited=\"on|phone\" global_colors_info=\"{}\"][\/et_pb_heading][et_pb_text _builder_version=\"4.27.7\" _module_preset=\"default\" text_text_color=\"#222222\" text_font_size=\"16px\" custom_padding=\"||0px|||\" text_font_size_tablet=\"16px\" text_font_size_phone=\"14px\" text_font_size_last_edited=\"on|phone\" global_colors_info=\"{}\"]Gef\u00f6rdert vom Fonds Darstellende K\u00fcnste aus Mitteln des Beauftragten der\u00a0Bundesregierung f\u00fcr Kultur und Medien\u00a0und durch den Verband freie Darstellende K\u00fcnste Bayern e.V.<\/p>

im Rahmen der Prozessf\u00f6rderung des \u201eF\u00f6rderpakets Freie Kunst 2025\u201c mit Mitteln des Bayerischen Staatsministeriums f\u00fcr Wissenschaft und Kunst.<\/p>

Zufit Simon ist Mitglied von Tanztendenz M\u00fcnchen e.V.<\/p>

\u00a0
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